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John Rutter: Requiem

John Rutter: Requiem

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Rutter, John (2014). A Flower Remembered. Oxford UP. ISBN 978-0-19-340482-3 . Retrieved 10 June 2019. Was I the lamb?" Setting of words by Marc Bratcher to celebrate the Chaplain's 20 years of service as Chaplain of Merton College. From 1985 to 1992, Rutter suffered severely from myalgic encephalomyelitis (ME, or chronic fatigue syndrome), which restricted his output; after 1985, he stopped writing music on commission, as he was unable to guarantee meeting deadlines. [5] The first movement consists of the Introit from the Requiem ("Requiem aeternam") and the Kyrie. The work opens with a steady beat of the tympani, to which instruments enter, first without a defined key. The voices enter in measure 7, stating in unison on the note C "Requiem aeternam". The text beginning "Kyrie eleison" is set in G major. [5] 2 edit Every piece of music at King Charles' coronation service at Westminster Abbey". Classic fm . Retrieved 7 May 2023.

News". Delta Omicron. 29 March 2008. Archived from the original on 25 July 2011 . Retrieved 22 July 2011.The fifth movement is the Agnus Dei (Lamb of God) of the Requiem. Rutter uses a steady beat on one note, similar to the timpani of the first movement. The Latin text is contrasted with another biblical passage, "Man that is born of a woman hath but a short time to live" from the Book of Job. The call Agnus Dei in measure 58 is the dynamic climax of the Requiem. After an instrumental interlude which quotes a melody associated with Easter, the voices sing very softly "I am the resurrection and the life", from the Book of John. [9] 6 edit

Westermeyer, Paul (1994). "John Rutter: Popular Romantic". Christian Century 111, no. 35 (7 December): 1158. He was inducted as a National Patron of Delta Omicron, an international professional music fraternity in 1985. [6] [7] Rutter is also a Vice-President of the Joyful Company of Singers, President of The Bach Choir, and President of the Association of British Choral Directors (ABCD). [8] Compositions edit Born on 24 September 1945 [1] in London, the son of an industrial chemist and his wife, Rutter grew up living over the Globe pub on London's Marylebone Road. [2] He was educated at Highgate School where fellow pupils included John Tavener, Howard Shelley, Brian Chapple and Nicholas Snowman, [3] and as a chorister there took part in the first (1963) recording of Britten's War Requiem under the composer's baton. [4] He thence read music at Clare College, Cambridge, where he was a member of the choir. Whilst an undergraduate, he had his first compositions published, including the Shepherd's Pipe Carol. [4] He served as director of music at Clare College from 1975 to 1979 and led the choir to international prominence. In a 2009 interview, Rutter discussed his understanding of "genius" and its unique ability to transform lives – whether that genius is communicated in the form of music or other media. He likened the purity of music to that of mathematics and connected the two with a reference to the discovery made by the early Greeks that frequencies of harmonic pitches are related by whole-number ratios. [2] Reception edit The Requiem was published in 1986 by Oxford University Press, with a singable English text also for the Latin passages. [1] Music editThe Twelve Days of Christmas" from Carols for Choirs 2 for soprano, alto, tenor and bass voices ("SATB") and piano or orchestra Rutter's music is eclectic, showing the influences of the French and English choral traditions of the early 20th century as well as of light music and American classic songwriting. Almost every choral anthem and hymn that he writes [ citation needed] has a subsequent orchestral accompaniment in addition to the standard piano/organ accompaniment, using various different instrumentations such as strings only, strings and woodwinds or full orchestra with brass and percussion. Many of his works have also been arranged for concert band with optional chorus. [12]

In 2023 Rutter became a Fellow of The Ivors Academy. Signified by the presentation of an Ivor Novello Award, Fellowship is also a position within the Academy's members and is the highest honour bestowed by the association of music creators. [22] List of compositions and arrangements edit Extended compositions edit a b "About this Recording". Rutter: Requiem/Anthems. Naxos. 2003. Archived from the original on 31 March 2022 . Retrieved 1 November 2016. The following table shows the title, Tempo marking, voices, time, key and text sources for the seven movements. The information is given for the beginning of the movements. Rutter frequently shifts tempo, key and time. The source for the details is the vocal score, unless otherwise noted. [4] Movements of Rutter's RequiemThe seventh movement includes words from the 1662 Book of Common Prayer Burial Service ("I heard a voice from heaven...") and the communion chant from Requiem ( Lux aeterna). [11] Nowhere is it more evident than in his glorious Requiem. Composed in 1985, the work is reminiscent of the Requiem of Fauré for its simplicity, brevity and rich choral writing. Christiana Canticles (Evening Service in C) for SATB and organ, consisting of the Magnificat and Nunc dimittis, and dedicated to the choir of Christ Church, Christiana Hundred [23]

Rutter's compositions are chiefly choral, and include Christmas carols, anthems and extended works such as the Gloria, the Requiem and the Magnificat. The first two choral items sung at the Platinum Jubilee National Service of Thanksgiving in June 2022 were arrangements by Rutter, [10] as were no fewer than six items performed at the Coronation of Charles III and Camilla. [11] Influences edit He conducted the first performance on 13 October 1985 at Lovers' Lane United Methodist Church, Dallas, Texas, where the director of Music Allen Pote prepared the Sanctuary Choir and orchestra. The soprano soloist was Karen Shafer. Movements 1, 2, 4, and 7 had been performed on 14 March 1985 at Fremont Presbyterian Church, Sacramento, California, by the Sanctuary Choir and ensemble, prepared by Mel Olson and also conducted by the composer. [3]

Report

Christmas Bells" (arrangement of the Norwegian folk song "Pal Pa Haugen", with new Christmas lyrics by Rutter) Birthday Madrigals for SATB, commissioned in 1995 by Brian Kay and the Cheltenham Bach Choir to celebrate the 75th birthday of George Shearing BBC Radio 3, Choral Evensong, St Bartholomew-the-Great, London, 22 March 2023. Retrieved 24 March 2023.



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