monitor that supports a 1920 x 1080 touchscreen to make is incredibly user-friendly, it also features built-in control for Sony Alpha and FS/FX cameras, control for Canon C line-up and R5 and R6, as well as supporting the range of Blackmagic cinema cameras, Z cam and finally Panasonic Lumix models such as the GH and S series. CaseStudy was born out of the realization that virtual production is not always accessible for a lot of DPs and filmmakers," Larason said. While it's not the perfect solution to get your video single streaming out of the box, the PT6 is a great addition to a pipeline. The BM7IIDS is a 7″ 1920×1080 on-camera monitor with 2200nits – more than 2 times brighter than the LH7P monitor.

Portkeys PT5 HDMI TouchScreen Monitor with Wide Color Gamut Portkeys PT5 HDMI TouchScreen Monitor with Wide Color Gamut

The difference in screen quality isn’t as noticable on the Cano EOS R5 C but the large monitor is still very beneficial. The swipe-right mechanic, which gives us access to the overlay controls, is perhaps slightly awkward; it’s necessary to tap to bring up the menu, then swipe to get at that part of the menu.The second negative is that while the unit’s design is good, the shiny black plastic feels, and looks a little cheap, why design a monitor with a slightly shiny finish? Before contributing to 4K Shooters, he has also been working on a variety of creative projects in the niche.

Portkeys Monitor | Portkeys Official Site How to Use 3D LUT with Portkeys Monitor | Portkeys Official Site

The monitor’s small size and weight make it convenient to transport and ultimately it doesn’t add too much weight and bulk to you camera or rig. The waveforms appear to be updated at the native frame rate of the video signal, without lag, and with enough resolution to look crisp, at least in the small area of the screen they occupy.Known for its line of budget monitors, the company has put out solid budget products that have helped creatives rig out their cameras for low-budget productions. Vertical Shooting Stretch: upright video formats in 9:16 might not be everybody’s favorite framing format, but with the importance of social media, at times you just have to deal with it. The overall layout leaves the HDMI connectors sticking out sideways, which feels risky, but this is a widespread problem with displays at all levels. There’s no SDI, and though SDI probably doesn’t make much sense at this end of the market, it’s something of a compliment that it even springs to mind as a requirement. Power can come through the mains of using a Sony NP-F or Canon LP-E6 battery pack; the ability to take either is a nice touch.

Portkeys PT6 Review - Camera Jabber Portkeys PT6 Review - Camera Jabber

He is familiar with and shows great interest in medium and large format photography with products by Phase One, Hasselblad, Alpa and Sinar and has used many cinema cameras from the likes of Sony, RED, ARRI and everything in between. I spoke with both Riva and Underhill to learn more about their experience on set and what they learned. These LUTs need to be loaded onto the PT6 using a USB key, but the process is easy, and the touchscreen interface makes finding your way around easy. There should be some default Internal LUTS that we have provided as a base, but we always recommend that you use one that is made for your production by either your DIT or Editor to give the closest results to Final.While the PT6 won’t show the full resolution feed, it will show at 1920×1080 with a brightness of 600nit, contrast ratio of 1000:1 and colour depth of 10bit(8+2FRC). With the built-in camera control for various Canon, Sony, Panasonic, Blackmagic, and even Z Cam cinema cameras, this is a great option for anyone wanting a monitor that will help a filmmaker get the shot and be a very helpful visual aid in the composition process. The monitor weighs only 236 g / 8,3 oz, has a brightness level of 1000nits, a contrast ratio of 1000:1, and it covers 100% of Rec. The PortKeys LH5P II certainly makes for a great on-camera monitor for either mirrorless or professional cinema cameras. So far, there’s nothing much to differentiate it from the crowded market of monitors, which are often made out of readily available cellphone technology.

PortKeys PT5 II 5inch 4K HDMI Touchscreen Monitor - CVP PortKeys PT5 II 5inch 4K HDMI Touchscreen Monitor - CVP

The set-up process for each was identical, with the HDMI feed plugging directly into the side of the monitor, and then once everything was switched on, the feed from the monitor appeared on the screen. The display’s quality and overlays make it a great choice to use as a monitor for general filming or streaming. The design of the battery plate is similar to the SmallHD 701, and you can use Sony NP-F batteries on the left side, or Canon LP-E6 on the right side. Video assistance functions include focusing, framing and exposure tools ( RGB and Luma waveform, RGB histogram, brightness histogram, audio meters, peak focus, zoom, zebra pattern, false color, safety frame, etc.Most professional cinema cameras don’t feature a screen at all, so it is essential to pick one that suits your needs and overall makes it easier to compose your shots, gain crucial focus and above all allows you to do your job quicker. This included two days of lens mapping and testing, which allowed the LED wall to fake camera parallax using camera tracking. The small size of the monitor is a real benefit enabling it to be attached to a rig, tripod or camera easily, and as it weighs next to nothing, there isn’t the worry of strain that you get with more weighty examples on the hotshoe. With live production, streaming, and camera-to-cloud now the official future of production, PortKeys has found a niche, and it's sticking to it.