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POP UP PARADE Rei Ayanami: Long Hair Ver. (Rebuild of Evangelion)

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Japan Edge: The Insider's Guide to Japanese Pop Subculture (PDF). Viz Media. 1999. p.23. ISBN 156931-345-8. Archived (PDF) from the original on 21 November 2019 . Retrieved 12 March 2021. This Week in Anime". Animenewsnetwork.com. Anime News Network. 17 August 2021. Archived from the original on 21 October 2021 . Retrieved 27 November 2021. in Japanese). 19 October 2016. Archived from the original on 9 December 2017 . Retrieved 9 July 2017.

Rei Ayanami 1/7 Scale Figure - Tokyo Radio Eva [Evangelion] Rei Ayanami 1/7 Scale Figure - Tokyo

The 16-centimeter (6.3-inch) figure also comes with an alternate face plate with Rei’s eyes looking to the left and a tiny version of protagonist Shinji’s S-DAT tape player that she can hold in her hand if it’s not already being used to grip rice or potatoes. While reviewing the Rebuild of Evangelion films, writers from Anime News Network praised Rei's character development. On Evangelion 1.0, Carlo Santos noticed that Rei's personality is the same as in the TV series, and "those who hated the original Evangelion for its highly dysfunctional characters still won't find anything to like in this version", while Justin Sevakis praised her response to Shinji's kindness in Evangelion 2.0. [220] [221] UK Anime described Rebuild's Rei as a more human character who is easier to empathize with. [222] The Fandom Post appreciated the fact that she becomes progressively more independent from Gendo, [223] while Anime News Network's Mark Sombillo wrote: "Her personality and plight form much more of the core motivation of the story and despite her still tryingly hesitant attempts at communication, there's genuine warmth beneath her actions and it's hard not to be won over by her". [224] When referring to a ‘mysterious character’ in the pre- Evangelion era, it was usually about someone with a twisted and often tragic past that would be slowly revealed as the plot progressed. What is mysterious about Rei is that she has no past. ... Before Evangelion,anime merchandises were not considered a big market for producers to profit on. However, it changed when Evangelioncame out. Rei expands the market, and Gainax capitalizes on that. ... Evangelion is a very doujin-friendly series, for many scenes are not explained in details that fans can create their own versions of what the scenes entail. Rei's mysteriousness definitely helps in this aspect, as she allows fans to write about many ‘what-if’ scenarios, especially her relationships with other characters. .... Furthermore, Rei is a common character used in hentai doujin.Animentalism.com (in Japanese). Animentalist. 12 January 2021. Archived from the original on 15 April 2021 . Retrieved 15 April 2021. a b c d e f g h i Justin Wu (11 July 2013). "Neon Genesis Evangelion: The Legacy of Rei Ayanami". The Artifice. Archived from the original on 18 March 2016 . Retrieved 17 April 2020.

Character: Ayanami Rei - Figures - Solaris Japan

Sevakis, Justin (24 November 2009). "Evangelion: 2.0 You Can Not Advance". Anime News Network. Archived from the original on 25 October 2018 . Retrieved 2 December 2009. Animage" (in Japanese). Tokuma Shoten. August 1998. p.228. {{ cite magazine}}: Cite magazine requires |magazine= ( help) Johnson, Allyson (8 September 2021). "Evangelion 3.0+1.0 Thrice Upon a Time review: The iconic series from Hideaki Anno ends with tears, atonement, forgiveness, and hope". THeyoungfolks.com. The Young Fols. Archived from the original on 4 November 2021 . Retrieved 27 November 2021.

Archives

Theron, Martin (4 October 2008). "Galaxy Angel AA DVD 1-4 - Anime Legends Complete Collection". Anime News Network. Archived from the original on 13 April 2020 . Retrieved 15 April 2020. Cavallaro, Dani (2007). Anime Intersections. Tradition and Innovation in Theme and Technique. McFarland & Company. p.58. ISBN 978-0-7864-3234-9.

HELLO! GOOD SMILE Rei Ayanami

Sevakis, Justin (3 May 2007). "Hideaki Anno Talks to Kids". Anime News Network. Archived from the original on 29 July 2013 . Retrieved 12 March 2021. Lunning, Frenchy (2007). "Between the Child and the Mecha". Mechademia. University of Minnesota Press. 2 (10): 231. doi: 10.1353/mec.0.0022. ISSN 2152-6648. S2CID 121085299. Kazuya Tsurumaki. "Scene 3" (in Japanese). Archived from the original on 5 June 2004 . Retrieved 29 April 2020. Harding, Daryl (7 April 2021). "Spoiler-Filled Review: Talking About That Evangelion 3.0+1.0 Ending". Crunchyroll.com. Crunchyroll. Archived from the original on 22 August 2021 . Retrieved 27 November 2021. a b Ghilardi, Marcello (2010). Filosofia nei manga: Estetica e immaginario nel Giappone contemporaneo (in Italian). Mimesis Edizioni. pp.119–120. ISBN 978-88-5750-237-3.Neon Genesis Evangelion's Happier Reality is Explored in Angelic Days". Screen Rant. 3 April 2021. Archived from the original on 16 May 2021 . Retrieved 3 May 2021.

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