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Friedman, Ken. 2012. "Freedom? Nothingness? Time? Fluxus and the Laboratory of Ideas." Theory, Culture, and Society, vol. 29, no. 7/8, December, pp. 372–398. doi: 10.1177/0263276412465440 Friedman, Ken (December 2012). "Freedom? Nothingness? Time? Fluxus and the Laboratory of Ideas - Ken Friedman, 2012". Theory, Culture & Society. 29 (7–8): 372–398. doi: 10.1177/0263276412465440. S2CID 144894255. Archived from the original on 23 April 2021 . Retrieved 23 April 2021. {{ cite journal}}: CS1 maint: bot: original URL status unknown ( link) Getty Research Institute Selected Special Collections Finding Aids. Jean Brown papers, 1916–1995, bulk 1958–1985.. Retrieved 28 August 2008.

Metallurgy in southern South America, Smelting, p. 1659-60" (PDF). Archived from the original (PDF) on October 10, 2010 . Retrieved 2011-08-19. Such perceived insurrections in the coherence of Maciunas' leadership of Fluxus provided an opening for Fluxus to become increasingly influenced by Japanese members of the group. [68] Since returning to Japan in 1961, Yoko Ono had been recommending colleagues look Maciunas up if they moved to New York; by the time she had returned, in early 1965, Hi Red Center, Shigeko Kubota, Takako Saito, Mieko Shiomi, Yasunao Tone and Ay-O had all started to make work for Fluxus, often of a contemplative nature. [69] In transport phenomena ( heat transfer, mass transfer and fluid dynamics), flux is defined as the rate of flow of a property per unit area, which has the dimensions [quantity]·[time] −1·[area] −1. [6] The area is of the surface the property is flowing "through" or "across". For example, the amount of water that flows through a cross section of a river each second divided by the area of that cross section, or the amount of sunlight energy that lands on a patch of ground each second divided by the area of the patch, are kinds of flux. a b Ruhé, Harry [ nl]. 1979. Fluxus, the Most Radical and Experimental Art Movement of the Sixties Amsterdam: Editions Galerie A. Janssen, Ruud. Mail-Interviews Part 1 Interviews with Mail-Art and Fluxus Artists. Breda: TAM-Publications, Netherlands 2008.

Held, John Jr. Where the Secret is Hidden: Collected Essays Breda: TAM-Publications Netherlands, 2011.

Every bid submitted is treated as a maximum bid. You should always bid the maximum you are willing to In the 1950s New York music scene there could be discerned many issues related to the post-war disenchantment experienced by many throughout the developed world. Such disillusionment in itself presented a case for commitment to Buddhism and Zen in everyday matters such as mental attitude, meditation, and approach to food and body care. It was also felt, however, that there was a general need for a more radical artistic sensibility. The themes of decay and of the inadequacy of the idea of modernity in artistic fields were adopted, partly from Duchamp and Dada and partly from consciousness of the uneasiness of living in contemporary society. At high temperatures, copper oxide reacts with hydrogen chloride to water-soluble and mechanically weak copper chloride, and with rosin to salts of copper and abietic acid which is soluble in molten rosin. One example of such flux is a composition of triethanolamine, fluoroboric acid, and cadmium fluoroborate. More than 1% magnesium in the alloy impairs the flux action, however, as the magnesium oxide layer is more refractory. Another possibility is an inorganic flux composed of zinc chloride or tin(II) chloride, [20] ammonium chloride, and a fluoride (e.g. sodium fluoride). Presence of silicon in the alloy impairs the flux effectivity, as silicon does not undergo the exchange reaction aluminium does. One of the early fluxes was a mixture of equal amounts of rosin and vaseline. A more aggressive early composition was a mixture of saturated solution of zinc chloride, alcohol, and glycerol. [18]Chamberlain, Colby. "Design in Flux" Art In America. 1 October 2014". Archived from the original on 8 July 2015 . Retrieved 7 July 2015.

This standard specifies each flux by a four-character code: flux type, base, activator, and form. The form is often omitted.

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The work produced by Fluxus was often a socio-political commentary and ridiculed what they saw as art world pretentions, with a focus mainly on performances and organised events rather than commodifiable art objects. Maciunus organised the First Fluxus event in 1961 at the AG Gallery in New York, which was followed by a series of ongoing festivals, concerts and tours, Fluxus newspapers, anthologies, films, food, games, shops, and even Fluxdivorces and Fluxiweddings. Although the artists grouped together for events and collaborations, there were many differing ideas amongst members, sometimes leading to friction within the group. Friedman, Ken. 2011. "Fluxus: A Laboratory of Ideas." Fluxus and the Essential Qualities of Life. Jacquelynne Baas, editor. Chicago: University of Chicago Press, p. 35. Fluxus is similar in spirit to the earlier art movement of Dada, emphasizing the concept of anti-art and taking jabs at the seriousness of modern art. [127] Fluxus artists used their minimal performances to highlight their perceived connections between everyday objects and art, similarly to Duchamp in pieces such as Fountain. [127] Fluxus art was often presented in "events", which Fluxus member George Brecht defined as "the smallest unit of a situation." [127] [128] The events consisted of a minimal instruction, opening the events to accidents and other unintended effects. [129] Also contributing to the randomness of events was the integration of audience members into the performances, realizing Duchamp's notion of the viewer completing the art work. [129] George Maciunas Memorial Collection, The Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, USA

Maciunas sent out letters to 20 international artists between late 62 and early 63, demanding each artist relinquish any publishing rights and have Fluxus as sole and exclusive publisher. Maciunas likened his agreement to Cage's arrangement with Peters Editions. Only two artists— Henry Flynt and Thomas Schmit signed up. Cage was not asked, due at least on Maciunas' side, to the aforesaid contract with editions peters. Kellein 2007, pp.69–71 O'Dell, Kathy (Spring 1997). "Fluxus Feminus". TDR: The Drama Review. 41 (1): 43–60. doi: 10.2307/1146571. JSTOR 1146571. The terms resin flux and rosin flux are ambiguous and somewhat interchangeable, with different vendors using different assignments. Generally, fluxes are labeled as rosin if the vehicle they are based on is primarily natural rosin. Some manufactures reserve "rosin" designation for military fluxes based on rosin (R, RMA and RA compositions) and label others as "resin". Held, John Jr. Mail Art: an Annotated Bibliography. Metuchen, New Jersey and London: Scarecrow Press, 1991. Salts are ionic in nature and can cause problems from metallic leaching or dendrite growth, with possible product failure. In some cases, particularly in high- reliability applications, flux residues must be removed.Fluxkit documenting the project". Archived from the original on 6 October 2014 . Retrieved 4 July 2012. Baas, Jacquelynn, et al. Fluxus and the Essential Questions of Life, pp 80,86. Chicago and Hanover, NH: University of Chicago Press and Hood Museum of Art, 2011. In 2023, Sub Rosa records released a collection of Fluxus sound works on CD entitled Fluxus & NeoFluxus / Stolen Symphony I ( A , p ) = a r g m a x n