Actung Deuschbag

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Godson, Lisa (2003). Stealing Hearts at a Travelling Show: The Graphic Design of U2 by Four5One Creative. Dublin: Four5One Creative°. ISBN 0-9545193-0-2. a b c d e f g h Gardner, Elysa (9 January 1992). "U2's 'Achtung Baby': Bring the Noise". Rolling Stone. No.621. p.51. Archived from the original on 2 July 2018 . Retrieved 2 July 2018.

Kavanagh, Mark (16 August 2001). "Better Than the Real Thing?". Hot Press. Archived from the original on 18 August 2011 . Retrieved 26 April 2011. Christgau, Robert (21 April 1992). "Christgau's Consumer Guide". The Village Voice. Archived from the original on 15 August 2013 . Retrieved 3 June 2013. a b "U2 2LP Vinyl Reissues Achtung Baby - Zooropa - The Best Of 1980-1990" (Press release). Universal Music Enterprises. PR Newswire. 15 June 2018. Archived from the original on 1 August 2018 . Retrieved 1 August 2018. Achtung Baby was U2's first album in three years and their first comprising entirely new material in over four years. [20] The group maintained a low profile after the record's release, avoiding interviews and allowing critics and the public to make their own assessments. [19] Instead of participating in an article with Rolling Stone magazine, U2 asked Eno to write one for them. [38] The marketing plan for the album focused on retail and press promotions. In addition to television and radio advertisements being produced, posters featuring the sleeve's 16images were distributed to record stores and through alternative newspapers in major cities. Compared to the large hype of other 1991 year-end releases, the marketing for Achtung Baby was relatively understated, as Island general manager Andy Allen explained: "U2 will not come out with that kind of fanfare in terms of outside media. We feel the fan base itself creates that kind of excitement." [124]a b Light, Alan (4 March 1993). "Behind the Fly". Rolling Stone. No.651. pp.42+. Archived from the original on 2 July 2018 . Retrieved 2 July 2018. Record yourself saying 'achtung' in full sentences, then watch yourself and listen. You'll be able to mark your mistakes quite easily.

Wenner, Jann S., ed. (2012). "The 500 Greatest Albums of All Time". Rolling Stone. No.Special Collectors Issue. p.37. ISBN 978-7-09-893419-6. Archived from the original on 5 December 2009 . Retrieved 2 July 2018. Bieger, Hannes (June 2012). "Hansa Tonstudio, Berlin". Sound on Sound. Archived from the original on 15 April 2021 . Retrieved 15 April 2021. Learn the German vowel: German vowel comes in 2 variations - long and a short pronunciation - and there are consistent rules that will tell Discos de oro y platino" (in Spanish). Cámara Argentina de Productores de Fonogramas y Videogramas. Archived from the original on 6 July 2011 . Retrieved 11 June 2019.a b c "Gold & Platinum". Recording Industry Association of America. Archived from the original on 18 November 2016 . Retrieved 20 March 2017. Stokes, Niall (2005). U2: Into the Heart– The Stories Behind Every Song. New York: Thunder's Mouth Press. ISBN 1-56025-765-2. a b c Gettelman, Parry (6 December 1991). "U2, Achtung Baby". Orlando Sentinel. sec. Calendar, p. 8. Archived from the original on 2 September 2012 . Retrieved 15 October 2010.

ARIA Charts– End Of Year Charts– Top 50 Albums 1991". ARIA Charts. Australian Recording Industry Association. Archived from the original on 4 March 2015 . Retrieved 11 September 2011. For the photoshoots in Berlin and Tenerife, the band were photographed with brightly painted Trabants, East German automobiles that became a symbol of the fall of Communism and for which the band had developed an affection. [103] [104] Street artist Thierry Noir was commissioned to provide the artwork and painted the vehicles in Hansa Studios' parking lot; he became involved through a fellow collaborator of the band's, film director Wim Wenders. [105] Images of the band with the Trabants appear on the sleeve and throughout the album booklet. These vehicles were later incorporated into the Zoo TV Tour set design as part of the lighting system. [104] [106] It contains references to Germany and The Producers; it’s a warning for the future (of a newly unified Europe and, by extension, the world); and it’s ever so slightly cheeky, too, which is in line with the band’s desire to break from its past.Zooropa Pulls in First Award in Oslo" (PDF). Music & Media. Vol.10, no.35. 28 August 1993. p.4 . Retrieved 13 January 2020– via World Radio History. Graham, Bill; van Oosten de Boer, Caroline (2004). U2: The Complete Guide to Their Music. London: Omnibus Press. ISBN 0-7119-9886-8.

Jaaroverzichten – Album 1992" (in Dutch). dutchcharts.nl. Archived from the original on 10 November 2020 . Retrieved 31 January 2021. Salaverrie, Fernando (September 2005). Solo Exitos 1959–2002 Ano A Ano: Certificados 1991–1995 (PDF) (in Spanish) (1sted.). Madrid: Fundación Autor/SGAE. p.4. ISBN 84-8048-639-2. Archived from the original on 4 April 2014 . Retrieved 21 January 2021. a b c d e "U2– Achtung Baby". australian-charts.com. Hung Medien. Archived from the original on 5 January 2015 . Retrieved 29 October 2009. a b Lapatine, Scott (4 August 2011). "Deluxe Achtung Baby Details". Stereogum. Archived from the original on 1 August 2018 . Retrieved 1 August 2018. a b c Erlewine, Stephen Thomas. "Achtung Baby– U2". AllMusic. Archived from the original on 3 June 2012 . Retrieved 13 October 2009.

Definition:

a b c d e f Tingen, Paul (March 1994). "ROBBIE ADAMS: U2's Achtung Baby & Zooropa". Sound on Sound. Archived from the original on 5 July 2015 . Retrieved 8 January 2010. Gundersen, Edna (5 December 2003). "Top 40 albums — the USA TODAY way". USA Today. p.2E. Archived from the original on 4 January 2021 . Retrieved 26 March 2020. a b c Duffy, Thom (16 November 1991). "New U2 Relies on Fans, Not Fanfare". Billboard. Vol.103, no.46. pp.1, 77–78.