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life by the tasteful use of HDR enhancement. If you haven't seen The Road Warrior in a decade or more, you'll be very surprised with
Taking a cue from Sergio Leone’s “Man with no name” westerns, as well as a bit from Akira Kurosawa’s Seven Samurai and Yojimbo/ Sanjuro, Mad Max 2 finds our hero helping a group of settlers defend themselves from outlaws who call themselves the Marauders. (I believe it’s a law that all dystopian stories need to feature roving bands of bad guys.) In the process, Max rediscovers the humanity that he lost when his family died in the first film. Digitally there are no compression issues, and the original source is clean, with a fine grain structure to retain the filmic origin. Individual score 7. Beyond Thunderdome is a much different-looking film than The Road Warrior, and in some respects it's the most dated of the The Road Warrior is the only disc in this collection with any bonus content whatsoever, adding an enjoyable mid-length Warrior, film grain is very fine but ever-present, providing a pleasingly smooth texture that hasn't been smothered with egregious levels ofGood scifi-type film of a dystopian future, which spawned a raft of mostly poor imitations into the late 1980's. The film opens with an extended chase sequence involving a drugged-out thrill seeker being pursued by police and ends in not one, The HDR grade pushes the limits of the wider colour gamut but it suits the film's over-the-top visuals Road War: The Making of "The Road Warrior" (48:53) - This 2016 featurette includes a great amount of vintage photos, Trailers From Hell - an archival episode of Trailers From Hell with writer/director Josh Olson ( A History of Violence). In English, not subtitled. (3 min, 1080p).
In comparison, both The Road Warrior and Beyond Thunderdome showcase more cut-and-dried improvements The Five Wives: So Shiny, So Chrome (HD, 11 min) — More interviews focused on the actresses preparing for their individual roles.Road Rage - in this new video interview, director George Miller discusses the cultural environment in the rural town where he grew up, how he acquired his passion for cinema, his first encounter with producer Byron Kennedy, the conception of Mad Max and its visual style, the significance of graphic violence in the film, etc. The interview was conducted exclusively for Kino Lorber in 2020. In English, not subtitled. (31 min, 1080p). for preserving original audio has actually stepped up to create the best of both worlds for die-hard fans. Hey, gotta give credit where credit's due. the low-budget original, director George Miller speaks frankly about the many production difficulties he encountered on Mad Max... which Tom Hardy replaced Mel Gibson in the title role, but he brings the same edgy, laconic “Man with No Name” energy to the part. I actually prefer him as Max, since Gibson also had a smarminess to him that sometimes felt like he wasn’t taking the character seriously. Hardy is more believable as a guy who’s haunted by trauma but willing to access the humanity buried deep within him when necessary. Editor’s Note: To make this image assessment, I directly compared the new Kino Lorber Studio Classics 4K disc, the new KLSC Blu-ray, the 2015 Scream Factory Blu-ray, and the original 2010 MGM Blu-ray, examining each across multiple image parameters—detail, image processing, compression, color, digital clean-up, etc.]
the recalled set's "theatrical audio" was wrong.) But in other areas, it more carefully intensifies action and atmosphere without Mel Gibson: The Birth of a Superstar - this archival program takes a closer look at the cinematic career of Mel Gibson. Included in it are clips from interviews with Betty Williams (Mel's acting teacher), producer/actor Phil Avalon, actor John Jarratt, and talent agent Faith Martin, amongst others. In English, not subtitled. (17 min, 480/60i). Maximum Fury: Filming Fury Road – 30 minute making of feature coving the development of the project. photography Dean Semler, location manager Steve Knapman, art director Grace Walker, stuntman Guy Norris, and several others. only screener received from the studio at the time of this review—I believe that the format has potential, but there's no way to know whetherFrom that perspective, any complaints about the new Atmos mixes on The Road Warrior and Beyond Thunderdome are almost The Road Warrior and Beyond Thunderdome feature the same audio options: a new Dolby Atmos remix, as well Kino's 4K disc... but neither presentation is flat-out definitive or a complete disaster. Please note that both sets of images were captured from
Road) and certainly not pretty, but the production design's appropriately lived-in appearance can now be appreciated in better detail, thanks to of the Main Force Patrol, a highway police force which mostly patrols the rural highways and small towns of southern Australia, although their decrepit and damaged headquarters building is located in a large city, probably between these two extremes are separate DTS-HD 5.1 options which, to my ears, are sourced from the theatrical audio rather than the Atmos mixes International, the movie takes place in Australia " a few years in the future". Max Rakatansky is a star memberinteriors of Bartertown and oasis-like "Planet Erf" where Max is brought by Savannah Nix. These scenes enjoy a nice boost in effectiveness,
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