In the Name of the Son: The Gerry Conlon Story

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The Name of the Son is a film that looks at human conflicts in the present, brought about during personal clashes in the Bosnian War in 1994.

The Trinitarian formula is used in baptism as well as in numerous prayers, rites, liturgies, and sacraments. One of its most common uses apart from baptism is when Roman Catholics, Eastern and Oriental Orthodox, Lutherans, Anglicans, Methodists, and others make the sign of the cross while reciting the formula. Jesus taught that His disciples were to baptize others in the name of the Father, Son, and Holy Spirit (Matthew 28:19). Yet in Acts 2:38, the apostle Peter taught that those who believed were to be baptized in Jesus' name. The apostles taught, "And there is salvation in no one else, for there is no other name under heaven given among men by which we must be saved" (Acts 4:12). Which is true?

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The film received seven nominations at the 2013 Magritte Awards, including Best Film and Best Director for Lannoo, winning Most Promising Actor for Achille Ridolfi. Therefore go and make disciples of all nations, baptizing them in the name of the Father and the Son and the Holy Spirit, Then Peter said unto them, Repent, and be baptized every one of you in the name of Jesus Christ for the remission of sins, and ye shall receive the gift of the Holy Ghost…

Then He told them, "For this reason, every scribe who has been discipled in the kingdom of heaven is like a homeowner who brings out of his storeroom new treasures as well as old." Strong's 1519: A primary preposition; to or into, of place, time, or purpose; also in adverbial phrases. The Greek accusative, εἰς τὸ ὄνομα, is rendered by a minority of English translations as " into the name", c.f. "English Standard Version (ESV) Footnote on Matthew 28:19" . Retrieved 9 January 2014.O’Rawe (a childhood friend of Conlon) and Lynch both share a long association with Republicanism, sympathies that discreetly inform a blistering work of righteous anger at prejudice and injustice, and the terrible, eviscerating cost it inflicted on one man’s life. It is arguably Lynch’s finest work since his award-winning Chronicles of Long Kesh in 2009.