Graffiti U

Product Information

And this is just a modern version of that, I don’t think that is where thr comercial catering comes in for him. Urban took a similar approach to recording Graffiti U, clearing the slate and refusing to place restrictions on his ideas or creative process. Keith Urban’s bold, creative and dynamic 10th solo studio album, Graffiti U, finds the singer continuing to make the same kind of eclectic and genre-fluid music with which he first experimented on 2013’s Fuse (Deluxe) , before realising more fully on 2016’s Ripcord . We don’t share your credit card details with third-party sellers, and we don’t sell your information to others.

Sure, the baseline for his career was never incredibly country in the first place, but what we’re seeing here is an abomination of the country genre, and an embarrassment for Urban himself. Keith Urban said that his first influences were records made by such artists as Johnny Cash, Charley Pride, and Merle Haggard that his father collected. Keith apparently seems to think those songs are the future of the genre, based on the bit I’ve heard of this record…and that’s scary. Adam ……you realize that in these spineless , anything goes , all’s fair , the dollar- is- all -that- matters times we live in that you have possible just written the best compliment a caring music community could be given ?

I couldn’t believe I actually found 3 songs of his from the past 5 years that I don’t mind listening to.

I am loving the new Album, in the last 6-8 months I found Keith Urban's music and now have 3 Albums he has captured my interest back in music, Thank you Keith Urban. If you people were to be the only people who could tell the rest of the world what to listen to I would give up on music all together ! Hummm… he just won the CMA (that’s “Country Music” for those of you that don’t know) Entertainer of the Year award last night. Hence why his last couple of his albums have become up straight up pop, with “Graffiti U” being the most stark example.Perhaps predictably, the well-intentioned song was met with both praise and criticism in a country ecosystem that is struggling to support and sustain its female entertainers. One of Keith Urban‘s earliest showcases in Nashville took place at the Exit/In, a beloved rock club northwest of downtown that has been operating for more than 40 years. A long time ago it was easier cause there was not so many subcategories as it is today, and not so money-driven.