Nikon AF-S NIKKOR 14-24mm f/2.8G ED

Product Information

As decades and decades of practical experience has taught me, while we all want the widest lens possible because we think it's better, actually very few people know How to Use Ultrawide Lenses, and when you do, there are very few things for which you need a 14mm lens — and the ability to zoom to 30mm or 35mm is much more useful than being able to zoom-out to 14mm.

A Super Multi-Layer Coating also helps to suppress lens flare and ghosting for colour-accurate, contrast-rich imagery in a variety of lighting conditions.

This layman’s commentary on the gospel of Luke will encourage you to take a fresh look at what can feel like a very familiar book.

When I use my 14mm I have to force myself to get closer and to pay rapt attention to the sides of my viewfinder, which too often are blank. The 14-24mm is far superior to the previous 14mm and 18mm lenses; I can't see any falloff wide open looking at only one image without another for comparison. Complementing the optical design, a stepping motor helps to realize impressively fast, accurate, and quiet autofocus performance, along with full-time manual focus override, to suit both stills and video needs. You can look at the 14-24mm from outside of the picture angle and still see glass, which means that stray light can hit that glass, too. I don’t really want to carry a Nikon with that lens if I’m willing to carry full frame I’d rather have a GFX100s with a 23mm if I’m shooting wide.The copy I had showed virtually no twist at the lens mount, unlike many other lenses I own, so when paired with various bodies it felt like an extension of the camera, which is very reassuring. You're at the mercy of what little in-body stabilization your body may be able to provide, and no sensor-shift stabilization system can stabilize the corners at the same time as the center with ultra-ultrawide lenses. Please refer to our FAQs and contact info page for the most commonly asked questions that we receive. As you can see, the 14-24 sells itself as more of a specialist lens for those that need the very best, including 10/10 optics. As part of the Art line within Sigma's Global Vision series, this lens' is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications.

Typical for ultra-ultrawide lenses, there is some peripheral color shift towards blue in the corners.Just grab the electronic focus ring at anytime for instant manual-focus override anytime the camera is awake. The good news is, it is certainly possible to use filters with the right third-party adapter (such as this one), but the bad news is that such a filter system is rather large and expensive. Tried Sony a 7III, Sigma E-mount lenses, and R5 with RF 24-70 and RF15-35 as I´m a seller in South America. Both zoom and focus rings are smooth to operate, with the 14-24 having a slightly narrower focus ring than the 16-35. Pairing a versatile range of wide-angle focal lengths with an impressively bright design, the Nikon F-mount Sigma 14-24mm f/2.

DG DN Art Lens in L-Mount is a high quality wide angle zoom lens in Sigma's ART series range, perfect for for Sigma fp, Panasonic S1, S1R and S1H full frame Leica L mount mirrorless camera systems. Takes huge 112mm filters rather than normal-sized ones - but's that's better than the F-mount AFS 14-24mm f/2. They mostly care about what helps them make more money faster, easier and with as little investment as possible. It takes pro-standard 77mm filters, like all the other Nikon pro zooms and fixed lenses like the 80-200/2.This fast design suits working in low-light conditions when shooting handheld and also offers improved depth of field control. Admittedly, you'll want to stick to the latter whenever possible as its 112mm screw-in filters will be both expensive and tricky to find, but rivals lack this option altogether. And you can read more about my experiences photographing the night sky in Hawaii, along with more 14-24 samples from doing so, here. Among interchangeable zoom lenses for full-frame (Nikon FX-format) digital cameras with interchangeable lenses with a focal range beginning at 14mm or lower, and a maximum aperture of f/2. has been known for its remarkable edge-to-edge performance, superb colors, and excellent contrast across its zoom range.