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The Original Soundtrack

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The album was recorded and produced by the band at Strawberry Studios in 1974 with Eric Stewart engineering and mixing.

In these cases responsibility for the print lies with us until it has been recorded as delivered 'as authorised by' your agreement. Design work is a little more complicated and depends entirely on the contract drawn up at the time of the creation of the art.

We were absolutely skint, the lot of us, we were really struggling seriously, and Philips Phonogram wanted to do a deal with us. The classy tone continues,including; The second sitting for the last supper (so acidic), the hit single;life is a minestrone and concludes with the tongue-in cheek: The film of my love,bursting with class and humour as usual - a wonderful album in every way. On later works, the band begin to split their separate ways but here they are working in perfect harmony. Village Voice critic Robert Christgau panned the album, remarking of the song "I'm Not in Love": "stretching your only decent melody (a non-satirical love song) over six tedious minutes, is that a joke? Aufnahmen, noch das Tonband nutztend, hatten die Art von Jungs Männer Popart Chor vom drögen aufs rockige im Klang revolutioniert.

This album reveals a group at the top of their game, confident with their material, willing to take risks and totally assured in their use of the studio as an instrument. All artwork reproduced on the site is the copyright of the respective owners who reserve all their rights. There can also be printer's proofs which are taken for the printer to see how the image is printing, or are final impressions the printer is allowed to keep but normally the term "artist's proof" would cover both cases. Also containing the hit single Life Is A Minestrone, the album opens with the influential nine-minute mini-opera, Un Nuit A Paris, demonstrating how far pop music had travelled in a short space of time.

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If anything, this band's cleverness at songwriting, multi-instrumental prowess and willingness to take risks with their use of instruments and production techniques on this album showed that at this point, they had moved so far beyond the level of routinely good pop groups. Also containing the hit single Life Is A Minestrone, the album opens with the infuential nine-minute mini-opera, Un Nuit A Paris, demonstrating how far pop music had travelled in a short space of time. Many of the tracks feature highs that are recorded with a great deal of clarity which I found quite pleasant. The group's signature song – played over five million times on US radio – was one of many riches on their eagerly anticipated 1975 album, The Original Soundtrack. This is the album they had been working hard to achieve - their third one in fact,and they certainly hit gold with it.They were truly 'too clever by half' and if you embraced this cleverness and its wit (as many but evidently not most did), you loved this group and particularly adored this album. If your print is number 70 of 295 then it really is just that: the 70th numbered print in a total edition of 295. From cod vaudeville meets mini rock opera with jokes galore, to pop, rock, ballad and even cheesy Hollywood schmooze. On the strength of that one song, we did a five-year deal with them for five albums and they paid us a serious amount of money.

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