In “Songs About Death,” Campbell sings, “Out in front of everyone/I sing them songs about death/And they sing along/It’s gotta stop.” It’s impossible to know what an audience at a Wonder Years show will look like in 2022, or how the crowd will react when the band play a song like “ Cigarettes & Saints” or “ Dismantling Summer.” But it’s easy to imagine there will be a lot of people leaning on each other, as they carry a countless number of fears across a world that’s inexplicably unraveling. Raw emotion and unfaltering passion are The Wonder Years’ DNA. It’s why, even after decades of hard graft, they continue to impress and improve release upon release. Naturally then, ‘The Hum Goes On Forever’, is no different and can stand proud as one of the most important records of 2022. I think we’ve grown a lot together,” Brasch says. “We all have a lot of different influences. We’re not just going to write fast, super loud songs all the time, we want to have a dynamic record. We’ve all built off one another and built off our influences in other bands, movies, books. I think it’s just a matter of growing up and really finding your sound after a while. We all play off of one another, and that’s what makes our band our band.”

Rowan5215 (September 20, 2022). "Review: The Wonder Years – The Hum Goes on Forever". Sputnikmusic . Retrieved September 27, 2022. {{ cite web}}: CS1 maint: numeric names: authors list ( link) Gordon, Arielle (September 29, 2022). "The Wonder Years: The Hum Goes on Forever Album Review". Pitchfork . Retrieved September 29, 2022. Their catalog’s narrative unity proceeds not only from self-reference, but from the material’s indelible proximity to Campbell’s lived experience. He’s spent nearly two decades cataloguing the ghosts that haunt his family, addiction and mental illness. “I don’t want my children growing up to be anything like me,” he once sang on “Passing Through a Screen Door,” when fatherhood was only a theoretical. “I feel like the people deserve an update,” he told me.

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As the people who have lived through it, I think there’s an interesting energy where there’s the question of your older works being like a different band,” guitarist Casey Cavaliere says. “Every band evolves, right? We wouldn’t have gotten here if we didn’t have those albums where it was more about the energy and how fast we can play.

The rest of the pieces fell into place over the following six months in scattered writing conflabs and sessions with Evetts and Will Yip. The level of care behind this drawn out spell of creativity is reflected in the way The Hum Goes on Forever moves – surging from each highpoint in search of another one that says something different about how the Wonder Years came to be where they are today. “If the song makes it through the six of us in a room, it’s always going to be a Wonder Years song,” Cavaliere says. “This record, and how it came together, was us trying to trust that fact and not overthink it.

As powerful and sure of itself as The Hum Goes on Forever sounds, its writing process was littered with challenges, the pandemic chief among them. The Wonder Years might run off being able to see the whites of their audience’s eyes night after night, but their creative process is founded on trust and communication stemming from a decades-long friendship. “We discovered how hard it was to write with Dan hiding in my laundry room with the door shut, and all of us with masks on,” Steinborn says. Brasch takes over: “We all keep our emotions on our faces.”