Female vocals are interesting because they don’t have the typical upper midrange lift that pushes them ahead of the instrumentation with perhaps too much energy and hardness depending on the quality of the recording. Neumann fällt hier für meine Erfahrungswerte also etwas aus dem Rahmen, aber das sei der exklusiven Berliner Marke zugestanden. Schön ist jedenfalls, dass die Kabelführung des Neumann NDH 30 einseitig verläuft und beim Musizieren bzw. Abhören nicht im Weg ist. Bauweise und Verarbeitungsqualität des Neumann NDH 30 The NDH 30 has a 12 Hz to 34 kHz frequency response, 120Ω impedance and a 104dB SPL sensitivity (1 kHz/1V RMS) compared to the 5 Hz–30 kHz, 150 Ω, 114dB SPL NDH 20. The .77 lb NDH 30 is also a tad lighter than its .86 lb predecessor. The driver stability was equally convincing. The NDH 30 reproduce even high levels and low bass with little distortion. At the same time, however, they reveal imprecision in the recording. The enormous low bass in Rihanna’s “Pon de Replay”, for example, is by no means completely pristine from the source. Bass : Linear, slightly neutral. Its not early Audeze Bass, it does slam... but it does carry some necessary weigh, and extends nicely down low.

There are a few planar models making some headway in that department but within the studio environment, headphones like the Beyerdynamic DT series, Sony 7506, AKG 240, and Audio-Technica’s ATH-MXX Series are still widely used. Haptisch macht der Neumann NDH 30 eine hervorragende Figur. Die Verarbeitung ist durchwegs sehr hochwertig. Alle Bügel und Drehgelenke sind aus Metall gefertigt beziehungsweise wurden mit Metall verstärkt.

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To be fair, it must be noted that the measurement diagram does not show a straight line. This would also be too much to expect for a full-range driver and does not apply to any conventional passive headphones. However, the downwards linearity of 1 kHz is remarkable. The Susvara, is unique as it does not do the "lost in a big room" type of music presentation that you find with all the other ear shaped Hifiman's., which i love. UNCOMPROMISING PRECISION​The NDH 30 owes its superior linearity, among other things, to frequency-selective absorbers that eliminate the overemphasis in the high frequencies that leads to incorrect mixing decisions in many other headphones. For example, the NDH 30 will accurately reveal whether a voice sounds muffled or needs a de-esser. Remember that these are tuned so that every change on a mixing board is delivered to the ear; what might be perceived as a slightly forward sounding midrange is actually the absence of the typical drop in the midrange that accentuates the bass and treble ranges on most consumer headphones.

NDH 30은 높은 선형성과 디테일 해상도가 탁월하여 노이만MA 1마이크를 통해 최적으로 보정된 스피커 시스템과 완벽하게 호환됩니다. 집이나 이동 중에 NDH 30을 사용하여 시작한 믹싱 작업을 KH-Line 스피커를 사용해서 스튜디오에서 작업을 이어 나갈 수 있으며, 그 반대로도 가능합니다. 결국 소비자들이 오랫동안 가장 많이 사용하는 재생 시스템이 헤드폰이기에 레퍼런스 사운드를 찾는다면 NDH 30을 추천합니다. NDH 30은 헤드폰 호환성을 확인하고 몰입형 콘텐츠의 바이노럴 믹스를 만드는 데에도 이상적입니다. 믹싱과 마스터링에서 일관성과 안정적인 성능은 필수적이므로 모든 NDH 30 헤드폰이 정확하게 같은 소리를 재생할 수 있도록 생산됩니다.

In practice

We wanted to create a headphone that is totally reliable and gives you the confidence you need to make the right decisions. The NDH 30 will tell you exactly if your bass is too loud or your vocal needs de-essing,” explains Portfolio Manager Sebastian Schmitz. “The spatial resolution, too, is outstanding because the drivers are made to extremely low tolerances. And because the NDH 30 comes with an internally balanced cable, which improves channel separation.” In the highs, the NDH 30 is honest and open. Unwanted harshness is absent, although the limits (Britney Spears “Toxic”) are revealed. Details and airiness are brought out convincingly and effortlessly by the fast response. The stereo panorama is also built up broadly, stably and with precise localisation. Spatial effects can be easily understood and assessed. Finally, the Neumann NDH 30 deserves real praise for its reproduction of dynamics.

Audiophile headphones "master" the sound for you, and present it as their sound sig. The N30 do not. They just provide the sound, and then you take it to the Mastering level.NDH 30은 매우 빠른 응답과 새로 개발된 38mm 드라이버를 특징으로 스프링 스틸 및 알루미늄 구조를 자랑합니다. 120Ω의 임피던스와 높은 감도는 풍부한 볼륨과 최저 수준의 왜곡을 보장합니다. NDH 30은 소리의 변질 없이 신호를 1:1로 재생하여 믹싱 및 마스터링에 이상적인 헤드폰입니다. Das Frequenzspektrum reicht von tiefen 12 Hz hinauf zu unhörbaren 34 kHz, und verläuft laut Hersteller ähnlich linear wie ein perfekt eingestellter MA-1 Abhörplatz. Der Klirrfaktor von weniger als 0,03 % gemessen bei 1 kHz und 100 dB SPL zeugt von extrem geringen harmonischen Verzerrungen. The drivers are installed at a slight angle, which is supposed to make the stereo impression generally more natural and compatible with speaker reproduction. The same principle is familiar from Ultrasone, for example. In addition, frequency-selective absorbers are used to prevent overemphasis in the high-frequency range. As I said, I was skeptical before the test, but the NDH 30 instantly blew me away with its very linear yet powerful sound. Running A/B comparisons between my speakers and the NDH 30 is almost scary regarding how close they are in terms of sound. Of course, you hear more of the sound of your room when you listen with speakers, and my subwoofers also offer a bit more bottom end compared to the headphones. But If you match the levels’ rights, their sonic relationship is undeniable.

From 2010 Neumann has also offered professional sound solutions for the studio monitoring market, thereby providing optimum solutions to its clients across TV and radio broadcasting, recording, live Sound and post-production. Da die Hörer dem Ohr deutlich mehr Platz bieten als das etwa beim NDH 20 der Fall ist, haben die Ohren volle Bewegungsfreiheit. Mit all diesen guten Eigenschaften ausgestattet, fühlen sich die 352 Gramm deutlich geringer an und einer längeren Hör-Session sollte nichts im Wege stehen. The NDH 20 provided a very linear sounding tonal balance, good isolation, in a compact design that engineers could take with them to both the studio and other recording venues.midrange forward presentation. Think "Neutral" .. So, you have nice clarity, sparkle, "airy"....definitely not a wet, lush, or round, tone. NDH 30は38mmのダイナミック型ユニットを用いたオープン型ヘッドホンのため、非常に速い過渡応答、ドライな低音、色付けのない中音域、透明な高音域など、洗練されたサウンド特性が最適に展開されます。つまり、NDH 30は音の色付けなく、信号を1対1で再現します。 妥協のない精度 NEW 4-pole] NDH Cloth Cov. Symmetric Cable (3 m) also terminates in 6.3mm & 3.5mm so source-end could be re-terminated to balanced